Musical modernism in the twentieth century : between continuation, innovation and change of phonosystem.

236 S. Ein tadelloses Exemplar. - Table of Contents -- Introduction 9 -- Chapter 1. What History of Modernism? 17 -- 1. Old and New Source Studies 17 -- 2. Notions - Research Objects 22 -- 3. Autonomy of the Phonosystem 32 -- 4. "Process State" and Periodisation 36 -- Chapter 2. The Birth of Modernism 41 -- 1. Three Layers of Musical Culture at the Turn of the Nineteenth -- and Twentieth Century 41 -- 2. Continuations of the Romantic Style 48 -- 3. Transformations of the Musical Language 53 -- 4. Syncretic Musical Revolts 61 -- Chapter 3. A Modernism Like All Others 67 -- 1. Relations Between Modernism and Nineteenth-Century Aesthetics 67 -- 2. Simplicity 70 -- 3. Complexity 77 -- 4. The Past 85 -- 5. Tradition 94 -- Chapter 4. Modernism Enslaved 105 -- 1. The Third Reich: Durch deutsches Land marschieren wir! 105 -- 2. The USSR: Antiformalist rayok 112 -- 3. The Death Knell of Normative Aesthetics -- (On the Example of the People's Republic of Poland) 118 -- 4. Adaptation Strategies: the Pompous Panegyric Style 124 -- 5. Survival Strategies: Stylistic and Folkloristic Retrospectives 132 -- Chapter 5. A Modernism Different to All Others 139 -- 1. Modernism Looks for Boundaries of Musicality 139 -- 2. Melosphere 144 -- 3. Chronosphere 154 -- 4. Sonosphere 163 -- 5. Phonosphere 172 -- Chapter 6. Modernism Liberated 181 -- 1. The Pluralism of Modernist Approaches at the Turn of the Twentieth -- and Twenty-First Century 181 -- 2. Between Simplicity and Complexity 185 -- 3. Explorations of the Musical Past 193 -- 4. In the Treasury of Traditional Musical Cultures 201 -- Afterword 207 -- Selected Bibliography 215 -- Index of Names 229 ISBN 9783631629185

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