Aus dem Vorwort (from the preface): When the Royal Library in Copenhagen acquired Lazarus Goldschmidt's famous collection of Hebraic Literature it also accepted responsibility for the publication of a manuscript of his which he had with him. It is this manuscript which forms the basis of the present work. (...) Lazarus Goldschmidt (1871-1950) for a long time had entertained the idea of a subject c mehr lesen ...
Schlagworte: Goldschmidt, Lazarus und Rafael (Hrsg.) Edelmannn: Subject Concordance to the Babylonian Talmud by Lazarus Goldschmidt. Edited by Rafael Edelmann. Kopenhagen, Ejnar Munksgaard 1959. Osnayyim la-Torah Hebrew, Judentum, Judaica

Leinenbände mit Titel- und Rückentitelprägung. Ein entwidmetes Archivexemplar mit den üblichen Inventarisierungsmerkmalen (aufgeklebte Rückennummer, Stempel verso Titel und im Unterschnitt). Einbände mit leichten Gebrausspuren, Rücken etwas lichtspurig, Innenerhaltung sauber. Insgesamt ein sehr gutes Arbeitsexemplar. Text in englischer Sprache. - The built environment is generally taken to mean th mehr lesen ...
Schlagworte: Architektur. Architekturgeschichte. Landschaftsarchitektur. Urbanität. Stadtentwicklung.

In The Loving Subject, Gerald Bond explores the rise of a new secular identity that took place in French elite culture at the turn of the twelfth century. While the period is widely recognized as pivotal, and while much revisionary work has been done on it, Bond notes that in order to see the changes in the conception of the private secular self the focus must be shifted away from epics and saints mehr lesen ...

Palma Vecchio was a leading painter of the Italian Renaissance in Venice. This fully illustrated catalogue examines the artist`s work and the corresponding documents to identify the autograph work. A substantial text in six chapters classes his characteristic subject matter into altarpieces, Madonnas, Saints, and portraits. Kurzbeschreibung: Palma Vecchio (1480?–1528) was a leading painter of the mehr lesen ...
Schlagworte: Palma Vecchio was a leading painter of the Italian Renaissance in Venice. This fully illustrated catalogue examines the artist`s work and the corresponding documents to identify the autograph work. A substantial text in six chapters classes his characteristic subject matter into altarpieces, Madonnas, Saints, and portraits. Palma Vecchio (1480?–1528) was a leading painter of the Italian Renaissance in Venice. As a contemporary of Titian, his short career unfolded at the beginning of the sixteenth century, the Golden Age of Venetian art that includes the work of Palladio, Tintoretto, Sansovino and Veronese. Like Giorgione and the young Titian, Palma participated in a crucial period of transition from an Early to a High Renaissance pictorical style in Venice. His paintings are famous for their sensual appeal: idealized saints in verdant landscapes, female nudes, beautiful and sensual women in half length portraits, grandiose altarpieces, and a rich and warm palette of vibrant colours. All documents are taken into consideration, and the fully illustrated catalogues establish a chronology and identify the autograph work. A substantial text in six chapters deals with the artist`s work according to his characteristic subject matter: altarpieces, Madonnas and Saints, and portraits (male and female).

Widmungsexemplar. Vom Herausgeber D. Sturma signiert. Ein gutes und sauberes Exemplar. - Inhalt: Introduction / Dieter Sturma and Karl Ameriks -- Spontaneity and Autonomy in Kant's Conception of the Self / Henry E. Allison -- Freedom and the Self: From Introspection to Intersubjectivity / Georg Mohr -- Teleology and the Freedom of the Self / Véronique Zanetti -- Philosophical Foundations of Earl mehr lesen ...
Schlagworte: History of Western philosophy, Philosophy, Germany, History & Surveys - General, Mind & Body, Philosophy / History & Surveys / General, Criticism, History & Surveys - Ancient & Classical, 18th century, 19th century